A brief period of creative uncertainty followed the composition of these works, coinciding with the composer’s newfound international acclaim and a string of commissions. ![]() Other particularly paradigmatic pieces include NoaNoa, Amers, Près, and Solar, composed in 19. It is marked by gradual transformations of sonic material, as manifest in the diptych for orchestra Du cristal… à la fumée. Saariaho’s musical language crystalised in the 1980s. In the 2000s, her works continued to receive accolades, including a Nordic Council Music Prize (2000), Prix Schock (2001), American Grawemeyer Award for Music Composition (2003), Musical America Composer (2008), Wihuri Sibelius Prize (2009), Léonie Sonning Music Prize (Denmark, 2011), Grand Prix Lycéen for Composers (2013) for Leino Songs, the “Frontiers of Knowledge” Prize from the BBVA Foundation (2018) for her contribution to contemporary music, and the Golden Lion prize from Biennale Musica (2021). Kaija Saariaho has been the recipient of numerous prizes, including the Kranichsteiner Musikpreis for Lichtbogen (1986), a work in which she revealed her personal, luminous form of tonality, derived from the spectral aesthetic and the Prix Ars Electronica for Stilleben (1988), a virtuosic radiophonic work which explores the vagaries of consciousness. Key to her musical language since the 1980s is the exploration of the concept of the “timbral axis,” in which “a noisy, grainy texture is akin to a dissonance, whereas a smooth, transparent texture corresponds to a consonance.” The malleable sonorities of the cello and flute lend themselves perfectly to this ongoing research works such as Laconisme de l’aile for flute (1982) and Près for cello and electronics (1992) explore the space between ethereal, light sounds and saturated, noisy textures. Saariaho’s work is heavily influenced by spectral music. She taught composition at UC San Diego in 1988-89 and at the Sibelius Academy in 1997-98 and from 2005 to 2009. She also studied computer music at IRCAM starting in 1982, and since then has remained a resident of Paris. She subsequently turned to composition, studying with Paavo Heininen at the Sibelius Academy from 1976 to 1980, and with Klaus Huber and Brian Ferneyhough at the Freiburg Musikhochschule from 1981 to 1983. ![]() She studied visual arts at the University of Industrial Arts (now part of the Aalto University School of Arts, Design and Architecture) in Helsinki. ![]() Kaija Saariaho, née Kaija Anneli Laakkonen, was born in Finland on 14 October 1952.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |